Colour Management
Whether you are
screenprinting, litho printing or are digital printing, it is crucial to get the colour
right, your client expects it.

In colour management all colours
are referenced to a theoretical colour model Lab. In this way, the
RGB of a monitor can be converted to the CMYK of a printer with maximum accuracy.
This is done via ICC profiles, small text files that contain a database of CMYK and RGB
values relating to the colour that they produce.
If you have a colour in your DTP
programme, the colour management module converts the colour to RGB values for the monitor
and to CMYK for the printer. In this way you can 'soft-proof' the job on your
monitor, produce a digital proof on your printer and have confidence that the finished job
will look OK.
There are limitations to the
process, your eye can see a vast array of colours, a photograph slightly less, a monitor
much less and a CMYK print a small fraction of the total. Dealing with the 'out of
gamut' colours can be the difference between success and failure.
Positivity can produce high
quality ICC profiles and guide you through the correct usage. We can explain the
limitations and give you the tools to minimise them.
|
See what can be done with the
correct colour management, the scanned photo on the left was produced using an
'out-of-the-box' profile. The
'mouse-over' photo is the same photo printed with a custom profile, the difference is
whiter whites, punchier colours and happier clients.
The original probably wouldn't be rejected
but the custom profiled is just visibly better. |
Produce Progressive Proofs to
guide your press:
Produce the cyan plate, cyan/magenta plate etc. Your pressman can't make a
mistake!
Use Spot Colour Replacement and
a Colour Atlas to get Pantone colours correct.
Positivity - for your colour
needs. |